BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Power Plant Gallery - ECPv4.9.8//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Power Plant Gallery X-ORIGINAL-URL: X-WR-CALDESC:Events for Power Plant Gallery BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20190310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20191103T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID="America/New_York":20190914T150000 DTEND;TZID="America/New_York":20190914T160000 DTSTAMP:20191021T234355 CREATED:20190810T150214Z LAST-MODIFIED:20190909T164108Z SUMMARY:Slow Tour DESCRIPTION:September 14\n3-4pm \nSpend an hour with a photograph on this slow tour led by current MFAEDA students at Duke. \nThe program for Saturday will feature Max with Papaya by Susan Worsham (2011) and will be given by Hoang Nguyen (MFAEDA Class of 2020). \nBIO:\nSusan Worsham\n(b. 1969\, Richmond\, Virginia) \nSusan Worsham grew up in Richmond\, Virginia\, where she enjoyed childhood field trips to sites ranging from cigarette factories to Civil War battlegrounds. Worsham continues to live and work in Richmond\, where she creates art that is both imaginative and deeply personal. Her work is found in collections that include the Ogden Museum of Southern Art\, New Orleans; the Virginia Museum of Fine Arts\, Richmond; and The Do Good Fund\, Columbus\, Georgia. In 2015 Worsham received both a Lensculture Emerging Talent Award and a Lensculture Portrait Award\, and she was nominated for the 2016 Baum Award for an Emerging American Photographer\, one of the largest national awards among the grants and fellowships available in photography. \nThe majority of Worsham’s photographs featured in Southbound are drawn from her Bittersweet on Bostwick Lane series\, made by the artist as she reflected on\, and came to terms with\, her brother’s suicide in the family home. Much of the project is guided by Worsham’s interactions and conversations with her elderly neighbor\, Margaret Daniel. Over time\, Daniel became Worsham’s true subject\, as she recounted stories of Worsham’s family\, and her memories became comingled with Worsham’s own. In seeking to make a project about death\, Worsham instead stumbled onto a project about healing. \nMany images in Bittersweet on Bostwick Lane\, in which children of Worsham’s friends act as stand-ins for the photographer and her brother\, are metaphorical visual poems\, with references to death and renewal captured in vivid color and through Worsham’s dreamy use of light. More… \n[Photograph by Susan Worsham\, Max with Papaya\, 2011\, from the URL: LOCATION:Power Plant Gallery\, Power Plant Gallery\, Durham\, NC\, 27701\, United States CATEGORIES:Slow Tour,Southbound ATTACH;FMTTYPE=image/jpeg: ORGANIZER;CN="Power%20Plant%20Gallery" END:VEVENT END:VCALENDAR