Southbound: Photographs of and about the New South.
Southbound: Photographs of and About the New South
September 6-December 21, 2019
[Photo: Bubbles at the Inkwell, Durham, NC. by Titus Brooks Heagins]
Opening at the Power Plant Gallery, September 6, 2019 presented by the Power Plant Gallery and the Forum for Scholars and Publics at Duke University, and in conjunction with the Gregg Museum of Art & Design at North Carolina State University.
See the full lists of artists here. And don’t forget to also join us at the companion opening at the Gregg Museum of Art & Design, at NC State in Raleigh, on September 5, 2019.
Southbound: Photographs of and about the New South is about the storied, charged, and enduring place that we call the South. The exhibit is curated by Mark Sloan and Mark Long of the Halsey Institute of Contemporary Art at the College of Charleston School of the Arts, and organized in this iteration by author and North Carolina native Randall Kenan into two interrelated exhibitions: Flux: Nostalgia vs. the Future, on view here at the Power Plant Gallery, and Home: How We Make Ourselves, on view at the Gregg Museum of Art & Design at NC State University.
The purpose of this exhibit is to engage with the South through the eyes and minds of fine art and documentary photographers working in the region since the year 2000, a time when, for all the overlapping processes of economic, demographic, social, and cultural change, it makes sense to think about a New South. The photographs that result from the artists’ sustained thinking about, looking at, and discovery of the multifaceted and startling New South speak to the history, complexity, and ongoing transformation of the region. The images represent the photographers’ own considered responses to their chosen environments–no photographs were commissioned for the project. The Southbound photographs provide the viewer with shifting pathways to moments of unbridled joy and deep frustration, and, ultimately, to an understanding, however fleeting, of this place.
While the South represents too many things to too many people ever to be condensed into any one medium–literary, cartographic, scholarly, or photographic–Southbound opens windows onto the region. The photographs presented here underscore the resilience of the South even as they reveal it as a place remade, once again, in the early twenty-first century.
Southbound continues at the Gregg Museum of Art & Design at NC State in Raleigh, where additional photographs are on view. The exhibit is complemented by an array of other instruments that engage with the New South, ranging from cartography to poetry. A digital-mapping environment is available in the galleries and on the web. A documentary film of Southbound artists and commentators can be viewed in the gallery and online. The project’s scholarly catalogue contains essays and poems penned in response to the Southbound images. The Southbound website, southboundproject.org, serves as an archive for these component pieces and hosts 550 images from the fifty-six participating artists as well as a playlist featuring music that reflects the multidimensional New South. A full calendar of local events can be found on our Paxil vs celexa. Events held at the Gregg Museum can be found on their website.
The photographs at the Power Plant Gallery are presented in partnership with the Forum for Scholars and Publics at Duke University. Southbound: Photographs of and about the New South was organized by the Halsey Institute of Contemporary Art at the College of Charleston School of the Arts.